Lecture

Lecture by Britta Konau, arts writer and independent curator
 
Lecture by Michael K. Komanecky, Chief Curator at the Farnsworth Art Museum
 
Lecture Two
Lecture by Alison Kuller, bookbinder and conservator
 
This 4-part lecture series is presented in conjunction with The Art of the Book exhibition on view in the Farnsworth’s Craig Gallery January 14 through April 1, 2012, which is an exploration of the museum’s eclectic collection of primarily nineteenth and twentieth century rare, first edition, and out-of-print books ranging from the earliest purchases by Robert Bellows in the 1940s to important donations made throughout the museum’s history. This lecture series will expound upon this theme to highlight different aspects of book arts, including illustrated books, book binding, rare book conservation, and artists’ books.
 

Lecture by Richard Lindemann

The first lecture in The Art of the Book Lecture Series will trace western book illustration from the illuminated manuscript to such contemporary works as artists’ books and e-books. Maine illustrators and book artists will feature prominently among the examples, which will be drawn  primarily from rare books in the Bowdoin College Library.

A Lecture by Scholar Henry Adams
This lecture is sold out.
In honor of Veterans Day, the Farnsworth invites historian Peter H. Wood to discuss one of Winslow Homer’s most striking paintings, a wartime image of an enslaved black woman in Georgia. The painting disappeared for a century after its completion in 1866 and its revealing original title, “Near Andersonville,” was not uncovered until 1987. This lecture will delve deeply into this forgotten picture for the first time, expanding our view of this great American artist and challenge American culture’s lingering reluctance to confront its own painful past. By integrating art and history, Wood will give a fresh and provocative vantage point on Homer’s early career, the struggle to end slavery, and the closing years of the Civil War, when the outcome was far more doubtful than most people now realize. 
This three-part series will explore the homes and artistic lives of three of Maine’s treasured artists: Dahlov Ipcar (b. 1917), Bernard Langlais (1923-1977) and Jonathan Fisher (1768-1847). Each artist lived most of their lives in Maine and suffused their immediate living environments with their rich imaginative lives. Ipcar, Langlais, and Fisher’s homes all reflect their unique and multi-dimensional artistic personalities—blends of whimsy and functionality—ranging from monumental wooden animals to handmade furniture, hand-painted murals to fine prints.
 
Lecture 3 – The Jonathan Fisher Homestead
Lecture by Brad Emerson, President of the Board, Jonathan Fisher Memorial
This three-part series will explore the homes and artistic lives of three of Maine’s treasured artists: Dahlov Ipcar (b. 1917), Bernard Langlais (1923-1977) and Jonathan Fisher (1768-1847). Each artist lived most of their lives in Maine and suffused their immediate living environments with their rich imaginative lives. Ipcar, Langlais, and Fisher’s homes all reflect their unique and multi-dimensional artistic personalities—blends of whimsy and functionality—ranging from monumental wooden animals to handmade furniture, hand-painted murals to fine prints.
 
Lecture 2 Blackie’s World: Bernard and Helen Langlais in Cushing