Join us for a conversation about art, agriculture, and the environment. Each artist will open with a short slideshow presentation of their work, followed by a panel discussion, and questions from the audience.

Lecture by Stephanie Plunkett, Chief Curator, Norman Rockwell Museum

Using a dining car from the New York Central’s Lake Shore Limited as his setting, famed American illustrator Normal Rockwell (1894-1978) captured a moment in his own son’s life that he thought would touch a common cord. Inspired by H. K. Browne’s illustration of a similar scene in Charles Dickens’ David Copperfield, Rockwell’s painting describes a young boy’s first experience of calculating a waiter’s tip.

Lecture by Matthew H. Edney, Osher Professor in the History of Cartography 
at the University of Southern Maine

Abraham Ortelius (Flemish, 1527–1598) published his Theatrum orbis terrarum in Antwerp in 1570. His genius lay not in how he made his maps—he simply copied existing works—but in how he selected and arranged them. This one work, for the first time, brought the whole world to the hands and eyes of Europe’s elites. From its allegorical title page to the index of places, the Theatrum offered a powerful intellectual image of territorial control and access; it reduced the world’s staggering variety into a single stage on which Europeans could act.

Lecture by Joe D. Horse Capture, Associate Curator at the National Museum of the American Indian, Smithsonian Institution

In conjunction with the exhibition Maine Collects, Kaja Veilleux, appraiser, auctioneer, collector, and owner of Thomaston Place Auction Galleries, will give a behind-the-scenes look at the world of art auctions, and will speak more broadly about collecting and what to look for when assessing an object.

Cost: $5; members free of charge. Please email kfinlay@farnsworthmuseum.org to register. 

Lecture by Britta Konau

Artists often acquire sizable art collections through trade with fellow artists. And many collect things other than art—objects that in some way attract their curiosity. Sometimes it’s the formal elements that are important, sometimes historical context, or a deeply personal connection. From bought at auction to found on the street, their origin may be impressive or totally unclear, as may their purpose. These private collections are often so intertwined with an artist’s thinking and aesthetic choices that it may be difficult to separate them from inspiration or in some cases even artistic material. This richly illustrated talk will look at artists’ work and their collections of non-art and investigate possible connections and commonalities between them.

A panel discussion led by Farnsworth Chief Curator Michael K. Komanecky

Lecture by Dr. Timothy J. Standring
Sunday, July 19, 1 p.m. at the Strand Theatre

This lecture examines the studio practices of Andrew and Jamie Wyeth for whom it could be said inspiration for many of their great works came in a flash. They would then seek to bring the fleeting idea to visible form while simultaneously striving to sustain the instantaneity of the moment. Both artists capitalize on the interplay between imagination, memory, and experience channeled through their dazzling technical abilities.

Lecture by Melissa Renn

LIFE magazine was a champion of American modernism, actively promoting the work of 20th-century artists and architects, including Thomas Hart Benton, Rockwell Kent, Frank Lloyd Wright, Georgia O'Keeffe, Stuart Davis, Jackson Pollock, and Andrew Wyeth. This lecture will explore the magazine's various collaborations with artists, architects, and curators, showing how LIFE shaped the public and the critical reception of modern art in the United States, as well as how LIFE influenced American artists from Robert Rauschenberg to Robert Indiana. This lecture compliments the Kosti and Andy exhibition.

To mark the opening of the exhibition Maine Collects, chief curator Michael Komanecky will give an illustrated overview of the exhibition, which includes works from some of the most important private collections in Maine. Learn more about the remarkable artistic treasures collected over the years by those who live in Maine or have strong ties to the state.

Cost: $8; $5 members. Will call tickets may be purchased here must be picked up at the Main Lobby admission desk the day of the event. Advance tickets are for sale in the museum store. Day-of tickets for sale at the main admission desk.